I painted a peacock on black paper using metallic watercolour. It did not photograph well. I tweaked the photograph as best I could using various filters, then copied it into the Brushes App and played with the image digitally, using various digital brushes and colours until I had an image I was satisfied with.
Here is a quick watercolour study of the Medicine Buddha on cotton rag paper
Here is a recent watercolour painting of a dakini with a sword.
And here is another red dakini riding a golden horse from years back.
My plan is to do a monthly post with old work from the archive. Here is the first of these.
It is a piece I came across in an old sketchbook. I was staying in a caravan in Cornwall, reflecting and making work. I found a snail shell tucked in a corner under a cupboard. Found spiral shells carry symbolic meaning for me and this one became a personal talisman for a time.
I improvised with materials I had to hand - gouache, paint, PVA glue and white powder paint. There is a gold thread tracing a spiral from periphery to centre. If you look closely you might be able to make it out.
Continuing with the Magic City theme here is a city of the south.
I am in love with Pyrrole orange. I find it such a joyful colour. Pyrrole pigments were only discovered in the early 1980s. Pyrrole orange is a bright mid orange that is transparent and gives lots of variety when mixed with other pigments.
Fun fact: Orange was not used as a name to describe a colour until the Middle Ages when the fruit was imported into Europe. The range of colours we call orange were previously described as yellow or red.
My magic city in this painting might be called "The Red City" or even "The Pink City" if orange was not a named colour. I like that.
Whatever it is called it feels (to me) quite joyous. And yes it is also quirky and idiosyncratic. It was a lot of fun to paint.
The physical process of making art helps me understand my embodiment through playing with the elements directly using the senses of touch and sight.
Paint is made of pigment, earth element in its many colours, ground into coloured dust and mixed with liquid. Some favourite colours are made of earth and fire by firing raw clay: burnt umber and burnt siena. The latter gives lovely warm transparent glazes and makes a rich glowing surface..
I used a ground of burnt siena as the basis of this work and then worked into it with richly pigmented watercolours.
Molten Earth.
I found it very difficult to find a way to capture the essence of this allium. Here are a few attempts using pencil, fine liner and washes with some digital tweaks. I plan to use them as studies for a painting.
Every now and then I need to paint a teapot. (I drink a lot of tea!). Here is a quick sketchy painting. The shapes and the tonal values were from observation of a little round teapot. The colour palette was from my imagination and not what I saw in real life. A mixture of the seen and the invented to make a colourful vibrant image using inky water soluble pencils in my sketchbook.
Digital variations made on the iPad pasting in and transforming photographs of some of my artworks on paper.
A few drawings to keep my eye and hand in:
Coloured pencil, pastel, charcoal, pencil, watercolour
